I haven't been out to a live show in Trinidad since last Christmas when I went to see my favourite local band - JOINT POP. They're still fighting the good fight. They're the last of only a handful of bands still standing.
Thursday, 5th February was a show at the infamous Mas Camp Pub - the home of calypso, the home of kaiso, where along with a few tents back in early days of the 20th Century, our music began, our heritage. There was a show being put on by the NEW FIRE promotion, led by Gerry Anthony of WIRK (West Indian Rhythm Konnection). There were two acts - Freetown Collective and Mistah Shak.
I unfortunately left after Freetown so I cannot comment of Mistah Shak.
Last time I saw Freetown they were a guitar playing duo, but on Thursday they were a five piece. Still two guitars and lead vocals - Muhammad Muwakil and Lou Lyons, but also three female singers - Shanna Joseph, Tishanna Williams and Malene Joseph.
They were excellent! Lyrically and melodically brilliant, a rare gem in a country that favours noise and smut lyrics, especially at this carnival season. The only thing that was missing for me was some sort of beat - drums or percussion, and perhaps a bassist. But I thought they were amazing. I only heard them once before, but I was totally blown away at Muhammad's voice, and how he flowed his lyrics. A real performer, and Lou is a very interesting and creative guitarist/songwriter. The harmonies were well crafted and interwoven.
This show was meant to showcase talent other than soca artistes. There was a decent turnout, people were attentive to what was going on. It was a great show!
I know this is carnival season, so now is the time of the soca artiste, just like Christmas season in Trinidad is the time of the Parandero and parang.
After carnival used to be the time for all other musicians in Trinidad to do their thing - jazz, rock, folk.
I don't see much of that anymore to be honest.
And what I cannot shake from my head is this - here's another great indie, underground band, very much Trinidadian, very much unique, very fresh and very talented, and where are they going? Where is there room for them in Trinidad? The answer is nowhere.
Trinis just don't have the mental capacity to understand and appreciate live, indie, original music. They only have tolerance for soca.
Soca - by and large is an insult to what kaiso started out as, but that's another blogpost entirely. Back to Freetown.
Like so many bands and solo artists before them, so many over the last two decades that have come and gone, without a trace. Few remember all these bands. Their music can sometimes be found in a die hard fan's home, on a cassette, a CD or a stolen MP3. But there's not a single band from 1995 (the best era that ever existed for local, underground music in Trinidad), nor 2010 (the next resurgence of great original bands) that exists today.
And I think of Freetown, like so many others before them, and all I can do is mourn for them and for everyone else who used to be in music. Some gave it up. Some migrated. Some disappeared.
Freetown, on behalf of all the other musicians in Trinidad, do yourselves a favour - keep your art form alive, but move to a country that appreciates live, original music.
Trinidadians only know about a fun time, drinks, dancing and prancing.
If you don't believe me, here's a list of some of the original bands that existed but are no more. What killed them? Simple. Trinidad did.
From 1995 onwards - Oddfellows Local, Orange Peel Groove, Babylon Pig, Bleed, Smith Tuttle, Green, Brothers Grimm, Bloodshed, Virus, Setiva, Flying Crapaud, Jaundis - I, Joint Pop, Orange Sky, Big Eyed Grieve, Lanyap, Incert Coin, Tamper Evident, Alexis Machine, 12, Gregory's Dream, Alien L, Atheleny, Gyazette, Skid Nevely, Vox Deus, Tripped and Falling, Heir Perpet, Transylvania Zoo, The Tide, Chaos Room, Checklist.
I'm sure I'm missing many names but there's only three bands left from that list. Where did everyone else go? Did everyone get out of music? If they did, it's because there's no way to support oneself with music in Trinidad, unless you play soca, and there's no originality in that. Only gimmicks and rubbish lyrics, set to win a prize in the carnival season. How myopic can we be?
So please, take my advice.
Trinidad kills original, indie music.
If you want your career to grow, then find a way out of this place.
This post is also for all those great bands that existed, but sadly never really went anywhere.
How I miss 1995 and 2010, such great years.
My fellow Trinis, other than the few hundred of us that followed the underground scene religiously, you'll never know what great music you all missed out on, if you all had just opened your mind.
How I mourn for my country where music is concerned.
Thursday, 5th February was a show at the infamous Mas Camp Pub - the home of calypso, the home of kaiso, where along with a few tents back in early days of the 20th Century, our music began, our heritage. There was a show being put on by the NEW FIRE promotion, led by Gerry Anthony of WIRK (West Indian Rhythm Konnection). There were two acts - Freetown Collective and Mistah Shak.
I unfortunately left after Freetown so I cannot comment of Mistah Shak.
Last time I saw Freetown they were a guitar playing duo, but on Thursday they were a five piece. Still two guitars and lead vocals - Muhammad Muwakil and Lou Lyons, but also three female singers - Shanna Joseph, Tishanna Williams and Malene Joseph.
They were excellent! Lyrically and melodically brilliant, a rare gem in a country that favours noise and smut lyrics, especially at this carnival season. The only thing that was missing for me was some sort of beat - drums or percussion, and perhaps a bassist. But I thought they were amazing. I only heard them once before, but I was totally blown away at Muhammad's voice, and how he flowed his lyrics. A real performer, and Lou is a very interesting and creative guitarist/songwriter. The harmonies were well crafted and interwoven.
This show was meant to showcase talent other than soca artistes. There was a decent turnout, people were attentive to what was going on. It was a great show!
I know this is carnival season, so now is the time of the soca artiste, just like Christmas season in Trinidad is the time of the Parandero and parang.
After carnival used to be the time for all other musicians in Trinidad to do their thing - jazz, rock, folk.
I don't see much of that anymore to be honest.
And what I cannot shake from my head is this - here's another great indie, underground band, very much Trinidadian, very much unique, very fresh and very talented, and where are they going? Where is there room for them in Trinidad? The answer is nowhere.
Trinis just don't have the mental capacity to understand and appreciate live, indie, original music. They only have tolerance for soca.
Soca - by and large is an insult to what kaiso started out as, but that's another blogpost entirely. Back to Freetown.
Like so many bands and solo artists before them, so many over the last two decades that have come and gone, without a trace. Few remember all these bands. Their music can sometimes be found in a die hard fan's home, on a cassette, a CD or a stolen MP3. But there's not a single band from 1995 (the best era that ever existed for local, underground music in Trinidad), nor 2010 (the next resurgence of great original bands) that exists today.
And I think of Freetown, like so many others before them, and all I can do is mourn for them and for everyone else who used to be in music. Some gave it up. Some migrated. Some disappeared.
Freetown, on behalf of all the other musicians in Trinidad, do yourselves a favour - keep your art form alive, but move to a country that appreciates live, original music.
Trinidadians only know about a fun time, drinks, dancing and prancing.
If you don't believe me, here's a list of some of the original bands that existed but are no more. What killed them? Simple. Trinidad did.
From 1995 onwards - Oddfellows Local, Orange Peel Groove, Babylon Pig, Bleed, Smith Tuttle, Green, Brothers Grimm, Bloodshed, Virus, Setiva, Flying Crapaud, Jaundis - I, Joint Pop, Orange Sky, Big Eyed Grieve, Lanyap, Incert Coin, Tamper Evident, Alexis Machine, 12, Gregory's Dream, Alien L, Atheleny, Gyazette, Skid Nevely, Vox Deus, Tripped and Falling, Heir Perpet, Transylvania Zoo, The Tide, Chaos Room, Checklist.
I'm sure I'm missing many names but there's only three bands left from that list. Where did everyone else go? Did everyone get out of music? If they did, it's because there's no way to support oneself with music in Trinidad, unless you play soca, and there's no originality in that. Only gimmicks and rubbish lyrics, set to win a prize in the carnival season. How myopic can we be?
So please, take my advice.
Trinidad kills original, indie music.
If you want your career to grow, then find a way out of this place.
This post is also for all those great bands that existed, but sadly never really went anywhere.
How I miss 1995 and 2010, such great years.
My fellow Trinis, other than the few hundred of us that followed the underground scene religiously, you'll never know what great music you all missed out on, if you all had just opened your mind.
How I mourn for my country where music is concerned.
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